Recent Acquisitions
Antique 19th Century Victorian solid silver and clear glass claret jug. The body is of a rounded square form with indentations to all four sides. The glass is etched with hunting motifs, including a horseshoe, riding crop, foxes’ head and floral foliage. The base is cut and polished glass. The handle, spout and hinged lid are all solid silver.
Hallmarked English silver (925 standard), Birmingham, year 1897 (x), Maker's mark S&Co (Skinner & Co)
Reference Number: D11663
Antique early 20th Century exceptionally rare pair of solid silver gilt Warwick vases. Of typical form with acanthus leaf decoration on square ebonised bases. The sides applied with classical heads and lion pelts. The handles formed of two entwining vines. Hallmarked English silver (925 standard), London, year 1914 & 1915 (T & U), Maker CS&HS (C S Harris & Sons Ltd). Retailed by Asprey of London. stamped underneath the base "Asprey London".
Reference Number: A10932
An exquisite 20th Century Italian solid silver and lapis lazuli champagne / wine cooler. Generously sized with trophy-style handles, the top rim, handle sides, and stem are adorned with lapis lazuli inlays. The interior is richly gilt, and the cooler stands on a flared base. A striking statement piece, it enhances any barware collection, complements modern interiors, and is ideal for alfresco dining.
Hallmarked Italian silver (800 standard), 853*MI (Milan).
Reference Number: J11637
A 20th Century Thai solid silver tea and coffee service, richly worked throughout with high-relief repoussé decoration and presented complete on its matching tray. Comprising a coffee pot, tea pot, covered sugar bowl, creamer, pair of sugar tongs and a substantial serving tray, each piece is decorated with alternating panels of deities and scrolling foliate motifs within pointed cartouches. The figures are shown seated in traditional pose with hands held in prayer, set against finely textured grounds that emphasise the depth of the chasing. The coffee and tea pots are of baluster form, raised on circular stepped bases.
Both retain their domed covers with tiered finials and engraved borders. The spouts are formed as stylised mythological creatures with elongated necks and scaled detailing, and the scrolling handles are similarly ornamented. The sugar bowl and creamer repeat the same repoussé panels and shaped bodies, maintaining consistency across the service. The sugar tongs and the serving tray are also decorated, the tray with a broad border of scrolling foliage in keeping with the design of the set.
Each piece is hallmarked "THAILAND, STERLING". Items marked "THAILAND STERLING" were generally made from 1949 onwards, following the permanent name change from Siam to Thailand. Pieces stamped simply "SIAM STERLING" usually date from 1926 to 1949.
Reference Number: A00116
Antique early 19th Century Swiss gold and enamel snuff box of exceptional quality, featuring an elegant rectangular form with gently curved corners. The cover is adorned with an octagonal panel of musical trophies, highlighted in deep navy enamel, set within a reeded frame on an engine-turned ground. A delicate floral and ribbon border surrounds the panel, while the base and sides carry complementary decorative motifs.
Hallmarked by the renowned Geneva goldsmith GR for Jean-Georges Rémond, the box also bears additional prestige marks, underscoring its superior craftsmanship and distinguished provenance. Notably, this snuff box was once part of the Bulgari Collezione in Rome, with provenance indicated inside the box via a sticker reference.
Reference Number: A00118
Antique 19th Century English William IV solid silver samovar / hot water kettle. This samovar is heavily worked and highly decorative. The compressed bell shaped lid has a floral and C-scroll border and is mounted with a large cast eagle finial with partially spread wings. The lid sits firmly over a spherical body divided into elaborately chased cartouches depicting hunting scenes, including stags, hounds and birds set among dense foliage.
On either side are acanthus capped double scroll handles, cast and symmetrical in form. The spigot is set centrally to the front, with an ornate mount and a wooden handle. The body rises from a knopped socle, which leads to a lobed base decorated in a similar manner to the main body, with further chased naturalistic panels. The samovar stands on four acanthus scrolled feet. The interior retains its original hot iron holder.
Hallmarked English solid silver (925 standard), London, year 1837 (B), Maker's mark sc (Sebastian Crespell II).
Reference Number: A00124
Antique early 20th Century pair of solid silver very large and impressive table ornaments modelled as a male and female pheasant. Each figure is finely detailed with naturalistic plumage and glass-set eyes. They make striking decorative pieces for a dining table or mantelpiece. Hallmarked Sterling (925 Standard), GERMANY.
Reference Number: A00050
A 20th Century English solid silver and shagreen cigar box, featuring a novelty artwork by H.M. Bateman set beneath glass and framed in silver on the lid. The illustration bears the inscription: 'Remember that it is no joke, If you should happen to revoke.' The box is enveloped in teal blue shagreen, and inside provides ample space for cigars. A distinctive piece, perfect for a personal collection.
Hallmarked English silver (925 standard), London, year 1929 (o), Maker's mark. C B & S (unknown).
Reference Number: J11732
Antique early 20th Century Chinese export solid silver impressively large tea tray, bamboo shaped handles and corner plaques chased with matted ground. Mounted on a large rosewood serving tray, of rectangular form, the surface is inlaid with silver depicting a river with a river boat and a pagoda.
Reference Number: A10445
Antique late 18th Century Swiss gold, enamel, and seed pearl aide mémoire box, crafted in a tapering rectangular form with canted edges. The cover features a central translucent dark blue enamel panel, vivid in colour and decorated in gilt with the word “SOUVENIR” framed by laurel and berry paillons, bordered with colourful enamel and rows of split seed pearls.
The sides are painted in enamel with finely detailed scenes of Venus, one accompanied by Cupid, the other by a river, set against a translucent blue ground and enclosed within matching decorative borders. Undoubtedly made in Switzerland by one of the finest goldsmiths and enamelers of the period, the box bears hallmarks that, while present, now indistinct.
Reference Number: A00143
Antique 19th Century Victorian solid silver-mounted etched glass claret jug, solid silver and cut glass mounted novelty wine jug, in the form of a standing cockatoo, set with coloured glass eyes and translucent glass body imitating textured plumage, mounted with a realistically modelled silver head. These rare claret jugs were part of a broader trend in Victorian Britain, where claret jugs often featured a variety of animals, ranging from cockatoos and owls to more unusual depictions like monkeys, walruses, kangaroos, and crocodiles.
Hallmarked English silver (925 standard), London, year 1880 (E), Maker AC (Alexander Crichton).
Reference Number: A9988
Antique 19th Century Victorian solid silver four piece tea and coffee service. The set comprises a teapot, coffee pot, sugar bowl and cream jug. Each piece is raised on cast scroll feet and decorated with bold repoussé work featuring lobed panels, shells and scrolling foliage. The teapot has a curved spout and scroll handle. The coffee pot is taller in form with a tapering neck and domed lid. Both lids are fitted with cast finials in the form of melons. The sugar bowl and cream jug follow the same lobed design, with cast handles matching the larger pieces. All interiors are richly gilt.
The set was retailed in Rome by Bvlgari Collezione and is accompanied by its original silk lined fitted box and paperwork.
Hallmarked English solid silver (925 standard), year 1854 (B), Maker's mark BD (Benjamin Davis).
Reference Number: A00097
Antique 20th Century Continental silver-plated hunting dog. Finely crafted and impressive in scale, this statue portrays a Setter on the hunt, poised mid-prowl. Setters were originally bred as gundogs, trained to locate game birds by scent and then “set” in a low crouch to signal their position to hunters. An ideal statement piece for an estate house, it serves equally well as a striking centrepiece for a mantel or table. Unmarked.
Reference Number: J11572
Antique 19th Century Austrian rare and unusual solid silver-gilt & enamel rock crystal ewer. The rock crystal engraved with chimeras among scrollwork, silver gilt mounts pierced and enamelled. The caryatid scroll handle with satyr head terminal. Hallmarked Austrian-Hungarian assay city letter A (Vienna), circa 1890, Makers mark RL (Rudolf Linke).
Reference Number: A9974
Antique 19th Century Swiss 18k solid gold snuff box. Rectangular shapes with an oval profile and gently curved sides, this exquisite snuff box features a flush hinged lid with a curved thumbpiece. The exterior is finely engine-turned and richly foliate chased, reflecting exceptional craftsmanship and meticulous attention to detail. A superb example of 19th-century Swiss goldwork.
Hallmarked Swiss 18K gold (750/1000), Geneva, Maker's illegible.
Reference Number: A00144
Antique 20th Century Chinese solid silver cigar box featuring a smooth, slightly textured hand hammered surface on all sides and a striking high-relief dragon on the lid and sides. On the front of the box a thumbpiece is mounted in the center. Upon opening the box, the interior is fully lined with dark wood, including the base.
Hallmarked on the base "ZEEWO" (Zee Wo & Company) originating from 370 Honan Road - Shanghai.
Reference Number: J11517
Antique 19th Century Indian solid 22k gold bracelet, composed of six hinged panels, each decorated in repoussé with Hindu deities, including Sabaruthy, Cawlingamirthuwum, Kali, Soobramaniya, Gajenthramoatchum and Vanoogopaul, with the names engraved to the sides of each panel.
The reverse is smooth, and the clasp is hallmarked ‘ORR 22’.
Reference Number: A00131
Antique 20th Century English solid silver mounted agate smokers stand. Formed with two silver ashtrays either side of the lighter. Two pull out lighters and a central wick enables cigarettes or cigars to be lit, to stop the flame, a lid on chain is attached to the lighter. A green lapis and milky colour agate stand is what this set is mounted on, the base lined with felt.
Hallmarked English silver (925 standard), London, year 1913 (s), Maker's mark CB & Sons (Charles Boyton).
Reference Number: J11518
Antique late 19th Century Chinese solid silver four piece tea and coffee service comprising a coffee pot, teapot, sugar jar and milk jar. Each piece is of matching form and highly decorated. The bodies are of rounded, bulbous shape with tapering necks, all richly chased in relief with prunus blossom and flowering branches across the exterior. The decoration is continuous around each piece and finished against a textured ground. All are raised on cast ‘bamboo leaf’ feet. The handles are formed as cast c-shaped dragons, with defined scales and heads, applied to the upper and lower terminals. The spouts on the coffee pot and teapot are modelled as segmented bamboo. The domed covers are similarly decorated with prunus blossom and surmounted by bamboo form finials.
Each piece hallmarked Chinese solid silver (900+ grade), Canton (modern day Guangzhou), Maker's mark WH (Wang Hing), Retailers mark "「和昌」"(He Chang). "90".
Reference Number: A00130
Antique 19th Century Swiss 18k gold and enamel snuff box made for the Ottoman market, oval with scalloped edges, the lid painted with a bouquet of roses and peonies and other flowers, framed by pale blue, translucent green and white taille d'épargne enamel borders of scrolls and flowers, the sides with matching decoration.
Hallmarked with later French gold import mark “ET” on the inner rim.
Reference Number: A00026
A beautiful black leather "Joe" lounge chair by De Pas, D’Urbino, Lomazzi for Poltronova, covered in gorgeous soft black leather. While this is considered a chair, it is large enough to seat two in loveseat fashion or deep enough to sink into and enjoy similar to a chaise.
Designed in 1970, this leather "Joe" baseball glove chair is an early production example, by designers Jonathan de Pas, Donato D'Urbino, and Paolo Lomazzi who worked together since 1966 with a specific interest in creating furniture and temporary architecture with industrially advanced materials and technology. The 'Joe' chair is made with heavy duty steel frames and preformed polyurethane foam padding, the cover made from large amounts of very high quality soft leather.
Reference Number: B12043d
A rare set of Japanese naval bridge “big eye“ binoculars by Nikon manufactured during WWII by Tokyo Kogaku Kikai (Tokyo Optical Company). They have been expertly cleaned and hand polished. With a magnification of 20 (magnification) x 120 (aperture), and mounted on a telescopic cast steel stand, these exceptional binoculars display entirely original optics in a distinctly Japanese straight- body instrument.
Reference Number: B10122
Pair of brown leather armchairs, model Ventaglio (fan), by Lev & Lev, Italy, circa 1970. These sculptural armchairs take their name from the Italian word for “fan,” referencing the distinctive flared design of the seat and backrest which opens outward in a bold, inviting shape. Upholstered in supple brown leather with deep channel tufting, the chairs combine comfort with a strong sense of 1970s Italian style.
Lev & Lev was known for producing high-quality furniture that pushed the boundaries of form while maintaining a focus on material and finish. This pair exemplifies the studio’s flair for creating pieces that are both functional and visually striking, perfect for a modern or eclectic interior.
Reference Number: B11486
A beautiful “Soriana“ leather sofa by Tobia Scarpa for Cassina, made in Italy around the latter part of the 20th century. Finished in a very rare cognac colour leather, it is lovely way to bring colour and elegance to any interior setting, working well with any room. An easy and practical way of bringing mid-century design chic to a home.
Reference Number: B10142d
A 21st Century 24 carat gold plated solid silver Ayrton Senna statue, weighing an impressive 3.3 kilos, commissioned by his family to mark the 20th anniversary of his passing in 2014. It was created by the Brazilian artist Iguti, known for producing racing memorabilia over several decades. The figure features the Marlboro sponsorship on Senna’s overalls and was issued as a strictly one off production. Approved by his mother, Dona Neide, the statue served as an official trophy at selected racing events across Europe and South America.
Rubens Barrichello, Lewis Hamilton and Sebastian Vettel were each presented with an example and were visibly moved upon receiving it. TV Globo famously awarded one to Hamilton ahead of the Brazilian Grand Prix; footage of the presentation remains widely shared online. This piece stands as a tribute to the life, career and legacy of one of Brazil’s most celebrated sportsmen and a driver many still regard as the greatest in Formula One history. It is accompanied by a certificate of authenticity, a certificate confirming the gold plating, and a fitted wooden box signed by the artist. An exceptional acquisition for any serious Formula One or Ayrton Senna collector.
Reference Number: C11908
Antique 19th Century Victorian pair of verdigris patinated bronze Trafalgar lions, recumbent on ogee stepped rectangular plinths. Boldly modelled and well preserved, these are visually commanding pieces with real weight and presence.
Reference Number: A00160
A whimsical and highly decorative umbrella stand by Fornasetti, Italy, dating to the late 20th century. The design features a charming trompe-l’œil stack of richly bound books with a grey cat perched on top, its paws and tail playfully integrated into the composition.
Executed with Fornasetti’s signature attention to detail and narrative imagery, this piece is both practical and sculptural. A statement addition to any hallway or interior space.
Reference Number: B12029
A spectacular palm tree floor lamp designed by Christian Techoueyres for Maison Jansen, France, circa 1970s. This iconic sculptural piece embodies the glamour and theatricality associated with Maison Jansen’s high-style interiors.
The lamp is formed as a stylised palm tree, with a textured trunk rising from a square black planter-style base framed in brass. The canopy is composed of layered, hand-cut and shaped brass fronds, arranged in dramatic tiers to create a full and opulent crown. When illuminated, the concealed light sources within the foliage produce a warm, golden glow that filters through the overlapping leaves, enhancing the depth and richness of the gilt surface.
Christian Techoueyres collaborated with Maison Jansen during the 1970s, producing bold, sculptural lighting that reflected the house’s signature blend of classicism and Hollywood Regency glamour. Maison Jansen, founded in Paris in 1880, was one of the most prestigious decorating firms of the 20th century, renowned for furnishing palaces, embassies, and elite private residences worldwide.
This palm lamp is a striking statement piece, both functional lighting and decorative sculpture, perfectly suited to sophisticated interiors.
Reference Number: B12013
An exceptional pair of Cary’s 12-inch terrestrial and celestial globes, published in 1821, and raised on elegant mahogany stands. Produced by the renowned London cartographers Cary, these globes represent the height of early 19th-century English scientific craftsmanship and decorative refinement.
Each 12-inch sphere is mounted within a brass meridian and set into a circular horizon ring applied with printed calendar and zodiac scales. The globes are supported on finely turned mahogany columns terminating in tripod bases, united by stretchers centred with inset magnetic compasses. The terrestrial globe details the known geography of the period, while the celestial globe is richly engraved with constellations and astronomical figures typical of the era.
This distinguished pair is reputedly from the collection of Lord Bamford, further enhancing their provenance and desirability. Decorative yet scholarly, they make a superb statement in both traditional and contemporary interiors.
Reference Number: B12022
One of the rarest Mid Century design sofas, the “Anfibio” sofa bed was a design by Alessandro Becchi for Giovannetti Collezioni in 1972. The Anfibio is a cult item of its genre. It combines aesthetics with practicality; with a few simple manoeuvres it can be transformed from comfortable sofa to a full sized double bed. This particular example is in superb condition considering its age.
The vast majority of these sofas that are available to buy have been reupholstered but this example almost certainly dating to the late 1970s / early 1980s is still in its original red leather upholstery. The Anfibio is a wonderful conversation piece, an icon of pop-art design and can be seen at the Museum of Modern Art in New York.
Reference Number: B12040
A rare and impressive life-size wooden artist’s lay figure, French, dating to the second half of the 19th century. Beautifully carved with well-defined anatomical form, the figure features articulated limbs and notably detailed, fully articulated index fingers (an unusual and highly desirable feature).
Reference Number: B12023
A fine pair of Victorian hobnail cut crystal decanters, complete with their original fitted wooden presentation box and key. Dating to the 19th century, each decanter is richly cut with an all-over hobnail pattern, creating a striking textured surface that beautifully refracts the light.
Both decanters retain their original faceted crystal stoppers, complementing the crisp geometric cutting of the bodies. The accompanying original box is crafted in figured wood with contrasting lighter wood stringing and edging, and fitted with period hardware. The interior is lined and designed to securely house the decanters. The presence of the original key further enhances the rarity and desirability of the set.
An elegant and increasingly scarce complete Victorian set, ideal for display or refined entertaining.
Reference Number: B12030
Antique 19th Century French pair of Baccarat ormolu mounted cut glass vases with enamelled gold inclusions ‘The Jokelson Vases’. The cut glass vases are of circular baluster form, each made in three sections connected by two chased gilt bronze mounts. The body of each vase has deep diamond cutting and to the front an oval lens shaped reserve embellished with an enamelled gold inclusion depicting a naturalistic bouquet comprising, amongst other flowers, roses, tulips, pansies, convolvulous and asters.
The vases have a waisted neck cut with panels which opens to an everted rim cut with fine fluting. The vases stand on fluted socles resting on square stepped bases. These well known vases were the crowning glory of Paul Jokelson’s celebrated collection of paperweights and paperweight associated glass. They represent the highest achievement of this genre of glass manufacture and as such were on loan to The Corning Museum of Glass from 1995 to 2001.
Reference Number: NS11567
Ayrton Senna’s final helmet design marks the beginning of his partnership with Williams-Renault, a combination widely expected to define the 1990s and further cement his position at the very summit of Formula One. Many believed he was poised to secure a fourth world title in 1994, with further championships likely to follow, potentially surpassing future records. Even Michael Schumacher acknowledged after Adelaide 1994 the significance of their rivalry and the scale of the challenge Senna represented. This helmet stands as a tribute to the legendary status Senna attained, a reputation that grew immeasurably following his tragic death at Imola in 1994. From that moment, his influence extended far beyond statistics. His intensity, conviction and rare magnetism left an imprint on the sport that remains unmatched, and perhaps unrepeatable.
Produced by Sid Mosca, the helmet is presented in its original box, mounted on a commemorative black base with an acrylic cover, and accompanied by a certificate of authenticity corresponding to the edition number on the reverse. Notably, it retains the correct beige velvet interior, faithful to the 1994 race-used specification, unlike many examples on the market fitted with a black lining. Thirty-one years on, this remains an essential acquisition for the serious motor racing collector.
Reference Number: C11727
A superb example of an early 20th century Goyard hat trunk, beautifully finished in the brand’s iconic chevron canvas. This unusually sized trunk is in very good condition and evokes the elegance and refinement of first-class travel during the golden age of passenger ships. The trunk’s distinctive design, with its structured form, leather trim, and brass fittings, not only ensured the safe transport of prized hats but also reflected the luxurious lifestyle of its original owners.
Its proportions make it a striking statement piece, perfect for use as a display item, side table, or standalone accent in both modern and traditional interiors. This trunk is as much a historical artefact as it is a functional piece, offering a tangible connection to a bygone era of sophistication and travel glamour.
Reference Number: B12018d
A 20th Century British showroom display bronze of the legendary Rolls-Royce mascot which was designed by Charles Sykes R.A, the dark patinated bronze sculpture is set on a shaped marble plinth. Signed by the artist Charles Sykes No.13, - later cast. The Spirit of Ecstasy, also called Eleanor, Silver Lady, or Flying Lady, was designed by Sykes, a graduate of London's Royal College of Art, and carries with it a story about secret passion between Montagu, second Baron Montagu of Beaulieu after 1905, a pioneer of the automobile movement, and editor of The Car Illustrated magazine from 1902, and the model for the emblem, Eleanor Velasco Thornton.
Reference Number: A00091