Recent Acquisitions
A rare 20th Century English solid silver caviar server by Asprey & Co, London. Expertly modelled as a sturgeon, the fish features finely detailed naturalistic decoration. The body opens via a removable lid to reveal a gilt-lined interior with a removable gilt liner, designed for serving caviar in absolute style.
Hallmarked English Silver (925 Standard), London, year 1965 (k), Maker's mark Asprey & Co.
Reference Number: A00190
Antique 19th Century European pair of five light solid silver candelabras in the nineteenth Century revival taste, combining Neo Classical and Baroque influences. The architectural diagonal base is richly decorated with portrait medallions, acanthus borders and scrolling ornament, while the elaborate central column supports boldly curved arms terminating in urn shaped sconces.
Particularly striking are the winged griffin supports beneath the central body, adding a dramatic sculptural quality associated with Victorian and Second Empire decorative arts. The mixture of classical motifs, heavy cast decoration and symmetrical form reflects the eclectic historicism popular across Continental Europe during the late nineteenth century. Hallmarked with German silver pseudo marks.
Pseudo hallmarks from Germany are imitation silver marks used mainly in the late 19th and early 20th centuries to resemble official British or European assay marks. Commonly associated with makers in Hanau, these fantasy marks were applied to decorative silver to give the appearance of age, quality, or prestige, although they were not official hallmarks.
Reference Number: J12120
Antique early 19th Century French Empire solid silver confiturier, created in the distinctive ‘Retour d’Égypte’ style that emerged in France following Napoleon’s Egyptian campaign. Finely cast winged sphinx figures support the pierced gallery, one of the defining features of this highly recognisable design movement. Anthemion borders, Greek key decoration, and classical detailing throughout reflect the strong influence of antiquity on Empire period decorative arts.
The domed cover, surmounted by a pinecone finial, continues the classical theme, while the fitted set of twelve silver gilt spoons provides a rich contrast against the silver surface. The confiturier was made in Paris by the silversmith Augustin Desnoyers-Hubert in 1805, accompanied by a matching set of twelve silver gilt spoons by Jean-Joseph Rivet, dating to 1825.
Hallmarked French silver (950 Standard).
Reference Number: N12170
A 20th Century Thai solid silver tea and coffee service, richly worked throughout with high-relief repoussé decoration and presented complete on its matching tray. Comprising a coffee pot, tea pot, covered sugar bowl, creamer, pair of sugar tongs and a substantial serving tray, each piece is decorated with alternating panels of deities and scrolling foliate motifs within pointed cartouches. The figures are shown seated in traditional pose with hands held in prayer, set against finely textured grounds that emphasise the depth of the chasing. The coffee and tea pots are of baluster form, raised on circular stepped bases.
Both retain their domed covers with tiered finials and engraved borders. The spouts are formed as stylised mythological creatures with elongated necks and scaled detailing, and the scrolling handles are similarly ornamented. The sugar bowl and creamer repeat the same repoussé panels and shaped bodies, maintaining consistency across the service. The sugar tongs and the serving tray are also decorated, the tray with a broad border of scrolling foliage in keeping with the design of the set.
Each piece is hallmarked "THAILAND, STERLING". Items marked "THAILAND STERLING" were generally made from 1949 onwards, following the permanent name change from Siam to Thailand. Pieces stamped simply "SIAM STERLING" usually date from 1926 to 1949.
Reference Number: A00116
Antique early-19th Century Exceptional Swiss 18k gold & enamel music box, of elegant rectangular form, in the shape of an envelope, featuring convex front and rear sides. The cover and base are adorned with rectangular panels of translucent blue enamel over an engine-turned ground, framed by foliate taille d'épargne borders. The cover is further enhanced with an overlapping lyre-shaped, matted gold panel mimicking an envelope flap, intricately stamped with trailing foliage and embellished with split pearls and a central turquoise. The box incorporates a concealed musical movement, wound by a key and activated by a lever discreetly located at the rear.
Hallmarked by renowned goldsmith GR for Jean-Georges Rémond, Geneva, and bears additional prestige marks, reflecting its superior craftsmanship and provenance. Numbered 949, the movement playing a tune, with original key, Movement attributed to Piguet & Capt, Isaac-Daniel Piguet (1775-1841) was born in Le Chenit (Vaud) and is said to have moved to Geneva before 1800. He entered into partnership with his brother-in-law Henri Capt, another mécanicien, on 10 February 1802. The firm was active for a short period from 1802 to 1811. Piguet & Capt, however, were the first to make objects that combined automata and music for use in luxury objects, such as snuff boxes, jewelry, and watches.
Reference Number: A10228
This item is eligible for the Pushkin’s Promise scheme.
Antique 19th Century English William IV solid silver samovar / hot water kettle. This samovar is heavily worked and highly decorative. The compressed bell shaped lid has a floral and C-scroll border and is mounted with a large cast eagle finial with partially spread wings. The lid sits firmly over a spherical body divided into elaborately chased cartouches depicting hunting scenes, including stags, hounds and birds set among dense foliage.
On either side are acanthus capped double scroll handles, cast and symmetrical in form. The spigot is set centrally to the front, with an ornate mount and a wooden handle. The body rises from a knopped socle, which leads to a lobed base decorated in a similar manner to the main body, with further chased naturalistic panels. The samovar stands on four acanthus scrolled feet. The interior retains its original hot iron holder.
Hallmarked English solid silver (925 standard), London, year 1837 (B), Maker's mark sc (Sebastian Crespell II).
Reference Number: A00124
Antique early 20th Century pair of large and impressive solid silver table ornaments modelled as a cock and hen pheasant. Beautifully crafted, each bird displays finely chased naturalistic detail, with accurately rendered plumage that highlights the distinctive characteristics of both the male and female.
Shown with their heads lowered as if pecking for food, the figures capture the birds in a lifelike and engaging pose. An eye catching pair, ideal as dining table centrepieces or as part of a sporting and shooting-themed collection.
Hallmarked Italian silver (800 standard).
Reference Number: A00126
A 20th Century English solid silver and shagreen cigar box, featuring a novelty artwork by H.M. Bateman set beneath glass and framed in silver on the lid. The illustration bears the inscription: 'Remember that it is no joke, If you should happen to revoke.' The box is enveloped in teal blue shagreen, and inside provides ample space for cigars. A distinctive piece, perfect for a personal collection.
Hallmarked English silver (925 standard), London, year 1929 (o), Maker's mark. C B & S (unknown).
Reference Number: J11732
Antique 20th Century English solid silver rifle shooting trophy. Featuring a solid silver Mark III Lee Enfield rifle raised above an ebonised plinth. The plinth features a blank shooting target, also in silver. Five plaques are mounted on the ebonised wooden plinth, engraved "'1933 CQMS EBBETTS','1934 SERGT THORNELOE','1933 RFN PEDDIE','1937 RFN D.F.TURNBULL','1938 RFN P.T.D.PHILLIPS'.
Hallmarked English solid silver (925 standard), London, year 1915 (u), Maker's mark S.DLD (Stewart Dawson & Co Ltd).
Reference Number: A00135
Antique mid-19th Century German (Hanau) gold box of rectangular form, the hinged lid with a finely engine turned ground framed by a border in three colour gold, delicately worked with alternating leaf and floral motifs. The lid centred with an oval reserve, the sides similarly decorated with bands of engine turned ornament and applied multicoloured gold details. The overall design combines precise geometric surface patterning with richly ornamental borders, characteristic of Hanau goldsmiths of the period.
Hallmarked German gold, Maker's mark CCS (Charles Collins & Söhne).
Reference Number: A00187
Antique 19th Century Indian (Kutch) solid silver dressing table set. Comprising a hand mirror, brush and oval tray, all richly worked in repoussé silver. Each piece displays high level craftsmanship and dense ornamental detail, characteristic of high quality Indian silver of the period.
The solid silver brush is decorated with a repoussé scene depicting an elephant in combat with a lion, framed by dense floral and foliate ornament. The surrounding decoration is both repoussé and pierced, with a visible copper backing beneath; a rare and unusual feature in Indian silver, adding depth and contrast to the design.
The hand mirror is worked in a closely related repoussé floral and foliate pattern. The central panel depicts a seated figure guru / sadhu beside a campfire, with palm trees in the background, creating a narrative scene within the decorative framework.
The solid silver tray of an oval form is richly decorated with intricate repoussé work on a finely matted ground. The surface is covered with floral foliage with a blank centre oval cartouche. On the underneath, four spherical feet raise the tray. Marked to the base "MR". (Mawji Raghavji) an important Indian silversmith contemporary of the more prolific Oomersi Mawji, who perfectly demonstrates his rivaling ability in this magnificent piece. The brush and mirror are not hallmarked as if often the case for Indian silver, but acid tested 900+ grade silver.
Reference Number: A00117
Antique 20th Century French fine French solid silver butter service by Christofle & Cie, Paris, comprising four flower-form butter dishes with gilded interiors, accompanied by four matching solid silver & gilt butter knives. The dishes are beautifully modelled as open blossoms with radiating petal decoration and richly gilded centres, creating a striking contrast against the polished silver.
The set is presented in its original fitted case, lined in cream. The elegant naturalistic design reflects the refined French tableware produced by Christofle during the late 19th to early 20th century. A charming and decorative breakfast or luncheon service, combining sculptural floral design with practical use, and retaining its original presentation case.
The pattern is Christofle Japonais, produced from around 1890 to 1930. Examples in solid silver are particularly uncommon, as these were generally made to special order by Christofle rather than offered as part of their standard catalogue during this period. Clients commissioning pieces in solid silver usually selected more restrained designs such as Coquille or Spatours, rather than the more fashionable Japonais pattern.
Reference Number: J12127
Antique early 20th Century exceptional Burmese (Myanmar) solid silver thabeik bowl, repoussé decorated in high relief with scenes from Burmese mythology, depicting scenes from the Jataka Tales, one of the hundreds of stories recounting the former lives of the Buddha.
This exceptional silver thabeik (offering bowl) is a superb example of Burmese craftsmanship at the height of the country’s Silver Age, a period from approximately 1850 - 1930 that coincided with British colonial expansion, the decline of the Burmese monarchy, and growing cross-cultural patronage. As royal commissions waned, elite silversmiths redirected their artistry to serve a new clientele comprising prosperous Burmese Buddhists, Indian merchants, and European expatriates. The result was a flourishing of decorative silverware, typified by ceremonial bowls such as this one.
Reference Number: A00173
Antique 19th Century Austrian rare and unusual solid silver-gilt & enamel rock crystal ewer. The rock crystal engraved with chimeras among scrollwork, silver gilt mounts pierced and enamelled. The caryatid scroll handle with satyr head terminal. Hallmarked Austrian-Hungarian assay city letter A (Vienna), circa 1890, Makers mark RL (Rudolf Linke).
Reference Number: A9974
A 20th Century Art Deco French 18K gold and diamond compact. Circular in form with an all-over engine-turned decoration. The cover is set with a stylised "Shriners" logo accented with diamonds. Shriners International, formally known as the Ancient Arabic Order of the Nobles of the Mystic Shrine, it is an American Masonic society. Founded in 1872 in New York City, it is now headquartered in Tampa, Florida, and has over 200 chapters across nine countries. The organization is known for its Middle Eastern theme, elaborate participation in parades and festivals. A diamond baguette push button opens the interior revealing a circular mirror and powder puff.
Hallmarked 18k gold (750 standard), London (import marks), year 1929 (o), Maker's mark "LPJV" (Unknown) & marked JC (Jacques Cartier).
Reference Number: C00142
Antique early 20th Century Japanese Meiji period solid silver cigar box of rectangular form, double walled and finely decorated in high relief with iris flowers emerging from water and a period bamboo Japanese bench by the waterside set against a hand-hammered ground.
The hinged lid opens to reveal a solid silver lined interior. The box is hallmarked Japanese Solid Silver (950+ standard) indicated by "JUNGIN" hallmarking in Japanese, with the Maker's mark in a Great Seal Script style translating to "Zuan".
Reference Number: A00102
Antique 19th Century Indian solid 22k gold bracelet, composed of six hinged panels, each decorated in repoussé with Hindu deities, including Sabaruthy, Cawlingamirthuwum, Kali, Soobramaniya, Gajenthramoatchum and Vanoogopaul, with the names engraved to the sides of each panel.
The reverse is smooth, and the clasp is hallmarked ‘ORR 22’.
Reference Number: A00131
Antique 19th Century French solid silver exceptional and highly unusual pair of pepper mills by the celebrated Parisian maker Odiot, executed to an extraordinary standard of craftsmanship and scale. Richly modelled with classical lion mask mounts, garland swags and raised on powerful tripod paw feet, the design combines impressive presence with remarkable ingenuity.
These substantial mills are not only decorative objects of the highest quality, but fully functioning mechanisms. The pepper is ground by inverting the mills and turning the tripod base, an ingenious and robust system which operates smoothly and precisely. Their considerable weight and solid construction immediately convey the quality associated with Odiot’s finest work.
Examples of this form are exceptionally rare. Comparable models are seldom encountered, and pairs rarer still, making this a particularly noteworthy survival. The bold scale and sculptural appearance allow them to stand equally well as functional tableware or as striking decorative objects. Hallmarked French Minerva (950 silver standard), Paris, Makers mark for Odiot.
Reference Number: N12171
Antique 19th Century Victorian solid silver desk or dinner bell. The bell, of heavy gauge features a mermaid mythical woman as the figure. The inside of the bell is richly gilt. Hallmarked English Silver (925 Standard), London, year 1886 (L), Maker's Mark "JG" Garrard & Co (James Garrard).
Reference Number: J12130
Antique early-19th Century Continental 18k three-colour gold oval snuff box, the cover finely decorated in rose, yellow, and platinum with a central musical trophy composed of instruments and sheet-music motifs, surrounded by scrolling ribbonwork and dense floral garlands in varicolored gold. The sides are similarly enriched with alternating ribbon and flower swags, and the interior is plain polished gold.
Hallmarked on the inner rim "730", likely a fineness mark or inventory number.
Reference Number: A00183
A beautiful red leather "Joe" lounge chair by De Pas, D’Urbino, Lomazzi for Poltronova, covered in gorgeous soft red leather signed with artist embossed signatures, Poltronova brand logo and 'JOE' embossing. While this is considered a chair, it is large enough to seat two in loveseat fashion or deep enough to sink into and enjoy similar to a chaise.
Reference Number: B10127
Antique 19th Century French bronze, expertly modelled as a panther in mid hunt, sinking its teeth and claws into a stag. The piece bears a brown and green patina and is signed to the base ‘BARYE’. (Antoine-Louis Barye (1796–1875). A French sculptor renowned for his dynamic and expressive animal bronzes, often hailed as the master of animalier sculpture.
Trained initially as a goldsmith, Barye developed an extraordinary eye for anatomical precision and movement. His works combined realism with dramatic composition. Barye exhibited widely at the Paris Salon, influencing generations of sculptors and elevating animal sculpture from decorative art to a respected fine art form. His bronzes remain highly sought after today for their technical mastery and vivid portrayal of the natural world.
This particular piece has been published. Bibliography: M. Poletti, A. Richarme, Barye, Catalogue raisonné des sculptures, Gallimard, 2000, no. A81 (1). A81 p. 215.
Reference Number: A00101
Pair of brown leather armchairs, model Ventaglio (fan), by Lev & Lev, Italy, circa 1970. These sculptural armchairs take their name from the Italian word for “fan,” referencing the distinctive flared design of the seat and backrest which opens outward in a bold, inviting shape. Upholstered in supple brown leather with deep channel tufting, the chairs combine comfort with a strong sense of 1970s Italian style.
Lev & Lev was known for producing high-quality furniture that pushed the boundaries of form while maintaining a focus on material and finish. This pair exemplifies the studio’s flair for creating pieces that are both functional and visually striking, perfect for a modern or eclectic interior.
Reference Number: B11486
A beautiful “Soriana“ leather sofa by Tobia Scarpa for Cassina, made in Italy around the latter part of the 20th century. Finished in a very rare cognac colour leather, it is lovely way to bring colour and elegance to any interior setting, working well with any room. An easy and practical way of bringing mid-century design chic to a home.
Reference Number: B10142d
A 21st Century 24 carat gold plated solid silver Ayrton Senna statue, weighing an impressive 3.3 kilos, commissioned by his family to mark the 20th anniversary of his passing in 2014. It was created by the Brazilian artist Iguti, known for producing racing memorabilia over several decades. The figure features the Marlboro sponsorship on Senna’s overalls and was issued as a strictly one off production. Approved by his mother, Dona Neide, the statue served as an official trophy at selected racing events across Europe and South America.
Rubens Barrichello, Lewis Hamilton and Sebastian Vettel were each presented with an example and were visibly moved upon receiving it. TV Globo famously awarded one to Hamilton ahead of the Brazilian Grand Prix; footage of the presentation remains widely shared online. This piece stands as a tribute to the life, career and legacy of one of Brazil’s most celebrated sportsmen and a driver many still regard as the greatest in Formula One history. It is accompanied by a certificate of authenticity, a certificate confirming the gold plating, and a fitted wooden box signed by the artist. An exceptional acquisition for any serious Formula One or Ayrton Senna collector.
Reference Number: C11908
Antique early 20th Century monumental sized silver plated footed bowl on stand decorated throughout in the Persian Ghalamzani style. The decoration divided into a series of lobed panels enclosed by arched borders, each engraved with scrolling foliage, arabesques and figural scenes depicting stylised animals with a fine textured ground.
The same style decoration is also found on the large tazza. Both pieces display an exceptional level of craftsmanship, characteristic of traditional Persian metalwork of the period.
Reference Number: A00171
A whimsical and highly decorative umbrella stand by Fornasetti, Italy, dating to the late 20th century. The design features a charming trompe-l’œil stack of richly bound books with a grey cat perched on top, its paws and tail playfully integrated into the composition.
Executed with Fornasetti’s signature attention to detail and narrative imagery, this piece is both practical and sculptural. A statement addition to any hallway or interior space.
Reference Number: B12029
A spectacular palm tree floor lamp designed by Christian Techoueyres for Maison Jansen, France, circa 1970s. This iconic sculptural piece embodies the glamour and theatricality associated with Maison Jansen’s high-style interiors.
The lamp is formed as a stylised palm tree, with a textured trunk rising from a square black planter-style base framed in brass. The canopy is composed of layered, hand-cut and shaped brass fronds, arranged in dramatic tiers to create a full and opulent crown. When illuminated, the concealed light sources within the foliage produce a warm, golden glow that filters through the overlapping leaves, enhancing the depth and richness of the gilt surface.
Christian Techoueyres collaborated with Maison Jansen during the 1970s, producing bold, sculptural lighting that reflected the house’s signature blend of classicism and Hollywood Regency glamour. Maison Jansen, founded in Paris in 1880, was one of the most prestigious decorating firms of the 20th century, renowned for furnishing palaces, embassies, and elite private residences worldwide.
This palm lamp is a striking statement piece, both functional lighting and decorative sculpture, perfectly suited to sophisticated interiors.
Reference Number: B12013
An exceptional pair of Cary’s 12-inch terrestrial and celestial globes, published in 1821, and raised on elegant mahogany stands. Produced by the renowned London cartographers Cary, these globes represent the height of early 19th-century English scientific craftsmanship and decorative refinement.
Each 12-inch sphere is mounted within a brass meridian and set into a circular horizon ring applied with printed calendar and zodiac scales. The globes are supported on finely turned mahogany columns terminating in tripod bases, united by stretchers centred with inset magnetic compasses. The terrestrial globe details the known geography of the period, while the celestial globe is richly engraved with constellations and astronomical figures typical of the era.
This distinguished pair is reputedly from the collection of Lord Bamford, further enhancing their provenance and desirability. Decorative yet scholarly, they make a superb statement in both traditional and contemporary interiors.
Reference Number: B12022
An iconic ‘Metafora’ coffee table designed by Lella and Massimo Vignelli for Castigliani, Italy, circa 1980. A celebrated example of postmodern Italian design, the table features a thick square glass top resting on four sculptural marble geometric forms, a sphere, cube, cylinder, and pyramid, each beautifully veined in contrasting tones.
The interplay between pure geometric volumes and the floating transparency of the glass top creates a striking architectural statement. Both functional and conceptual, this design has become a recognised modern classic and remains highly sought after.
Reference Number: B12057
A rare and impressive life-size wooden artist’s lay figure, French, dating to the second half of the 19th century. Beautifully carved with well-defined anatomical form, the figure features articulated limbs and notably detailed, fully articulated index fingers (an unusual and highly desirable feature).
Reference Number: B12023
A fine pair of Victorian hobnail cut crystal decanters, complete with their original fitted wooden presentation box and key. Dating to the 19th century, each decanter is richly cut with an all-over hobnail pattern, creating a striking textured surface that beautifully refracts the light.
Both decanters retain their original faceted crystal stoppers, complementing the crisp geometric cutting of the bodies. The accompanying original box is crafted in figured wood with contrasting lighter wood stringing and edging, and fitted with period hardware. The interior is lined and designed to securely house the decanters. The presence of the original key further enhances the rarity and desirability of the set.
An elegant and increasingly scarce complete Victorian set, ideal for display or refined entertaining.
Reference Number: B12030
Antique 19th Century French pair of Baccarat ormolu mounted cut glass vases with enamelled gold inclusions ‘The Jokelson Vases’. The cut glass vases are of circular baluster form, each made in three sections connected by two chased gilt bronze mounts. The body of each vase has deep diamond cutting and to the front an oval lens shaped reserve embellished with an enamelled gold inclusion depicting a naturalistic bouquet comprising, amongst other flowers, roses, tulips, pansies, convolvulous and asters.
The vases have a waisted neck cut with panels which opens to an everted rim cut with fine fluting. The vases stand on fluted socles resting on square stepped bases. These well known vases were the crowning glory of Paul Jokelson’s celebrated collection of paperweights and paperweight associated glass. They represent the highest achievement of this genre of glass manufacture and as such were on loan to The Corning Museum of Glass from 1995 to 2001.
Reference Number: NS11567
Ayrton Senna’s final helmet design marks the beginning of his partnership with Williams-Renault, a combination widely expected to define the 1990s and further cement his position at the very summit of Formula One. Many believed he was poised to secure a fourth world title in 1994, with further championships likely to follow, potentially surpassing future records. Even Michael Schumacher acknowledged after Adelaide 1994 the significance of their rivalry and the scale of the challenge Senna represented. This helmet stands as a tribute to the legendary status Senna attained, a reputation that grew immeasurably following his tragic death at Imola in 1994. From that moment, his influence extended far beyond statistics. His intensity, conviction and rare magnetism left an imprint on the sport that remains unmatched, and perhaps unrepeatable.
Produced by Sid Mosca, the helmet is presented in its original box, mounted on a commemorative black base with an acrylic cover, and accompanied by a certificate of authenticity corresponding to the edition number on the reverse. Notably, it retains the correct beige velvet interior, faithful to the 1994 race-used specification, unlike many examples on the market fitted with a black lining. Thirty-one years on, this remains an essential acquisition for the serious motor racing collector.
Reference Number: C11727
A 21st Century sumo sized limited edition hardback Annie Leibovitz by Annie Leibovitz, Keith Haring edition book on stand. Hand signed by Annie Leibovitz to the title page. It is in as new condition and released in 2014.
Reference Number: A00196
A 20th Century British showroom display bronze of the legendary Rolls-Royce mascot which was designed by Charles Sykes R.A, the dark patinated bronze sculpture is set on a shaped marble plinth. Signed by the artist Charles Sykes No.13, - later cast. The Spirit of Ecstasy, also called Eleanor, Silver Lady, or Flying Lady, was designed by Sykes, a graduate of London's Royal College of Art, and carries with it a story about secret passion between Montagu, second Baron Montagu of Beaulieu after 1905, a pioneer of the automobile movement, and editor of The Car Illustrated magazine from 1902, and the model for the emblem, Eleanor Velasco Thornton.
Reference Number: A00091